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Here are all the paintings of Jules Elie Delaunay 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 10905 |
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Diana |
Salon of 1872. 4' 11 3/4" x 3' 1" ( 147 x 94 cm ). |
| 10939 |
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Mme. Georges Bizet ( Genevieve Halevy, Later Mme. Emile Straus ) |
Salon of 1878.
3' 5" x 2' 5 1/2" ( 104 x 75 cm ).
Bequest of Mrs. Emile Straus, 1927. |
| 10934 |
 |
The Artist Mother |
1868.
Salon of 1869.
3' 4 1/2" x 2' 8" ( 103 x 81 cm ).
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| 10916 |
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The Plague in Rome |
Salon of 1869. 4' 3 1/2" x 5' 9 1/4" ( 131 x 176 cm ). |
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| Jules Elie Delaunay
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| Nantes 1828 - Paris 1891.
French Neoclassical Painter.
Studied under Hippolyte Flandrin.
French Neoclassical Painter. Studied under Hippolyte Flandrin. French painter. He entered the Ecole des Beaux-Arts in Paris on 7 April 1848, where he was a pupil of Joachim Sotta (1810-77), Hippolyte Flandrin and Louis Lamothe (1822-69). He became a disciple of Flandrin, and, though making his debut in the Salon in 1853 with the Saltworkers of Guerande (Nantes, Mus. B.-A.), he soon concentrated on history painting. In 1856 he won the Prix de Rome with the Return of the Young Tobias (Paris, Ecole N. Sup. B.-A.) and left Paris to study at the Academie de France in Rome. His work is imbued with a deep religious sentiment cast in the restrained, controlled style and formal repertoire of Neo-classicism. From early in his career he produced many easel and wall paintings on religious subjects, such as Jesus Healing the Lepers (1850; Le Croisic,). In 1854 he received a commission to produce four fresco decorations for the church of the monastery of the Visitation-Ste-Marie in Nantes, which he completed the following year. In 1865 he returned to the monastery to decorate the chapel of St-Francois de Sales with scenes from that saint's life.
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